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Asian Americans in New York Fashion: Design, Labor, and Innovation runs March 2-27 at the Museum in fit
peter doe, Prabal GurungWhen Phillip Lim, Sandy Liang, Anna SuiWhen Vera Wang, Kim Shui, Kimora Lee SimmonsWhen Zhou Rui – Much of the success of contemporary fashion is due to Asian American designers. Yet their collective influence is often overlooked when industry chronologies are examined. Not to mention the thousands of factory workers who helped build it and the vast range of Asian Americans who make up today’s fashion workforce.
Maurizio Marrero, a student at the Fashion Institute of Technology, said: Contributions to the fashion industry have been long awaited. From today (March 2nd) to the public until March 27th, Asian Americans in New York Fashion: Design, Labor, and Innovation is the first show of its kind to track the influence of these individuals through clothing, photographs, videos, and more. “Our main aim is to showcase different ways of expression and the different ways Asian Americans see design,” explains Marrero.
Of course, there is no one-of-a-kind Asian-American aesthetic, and these designers reject the idea of a monolith with a conflicting and contradictory approach to fashion. As if to underscore this, FIT students made the unusual choice not to mention the specific legacies of the featured creatives. “We want our viewers to focus on the craftsmanship that goes into the work of our designers. By not presenting each designer’s background separately, they are not selected for their individual identities.” This was Linda Kinoshita’s Evening Dress for Linda Kinoshita, the first Asian-American to establish her own couture salon, dating back to the 1950s. That same ingenuity is reflected in Jean Her Yu’s work, which showcases her set of silk lingerie, and Shair, a former UN worker in Nepal, in her Upadhya graffiti-encrusted jacket. “He asked the painter and his tailor to upcycle a jacket from his wardrobe, which raised the question of who would be the designer and who would get fashion credit for his designs.”
Elsewhere, designers such as Peter Do and Sandy Liang have represented the new Asian-American security guard, but the exhibition was held during the 1982 Chinatown strike, marching on wages and working conditions. It also shines a spotlight on the industry’s unsung heroes, such as the garment workers who advocated for better clothing. Spoken through Harvey Wang’s photo. This demonstration was a turning point in American fashion history, and Asian American contributions have skyrocketed since then.For example, if a black man has only 19 Of the CFDA’s more than 500 members, 43 are Asian American, and a 2010 study found: new york times reports that 70% of Parsons’ international students are from Asia, a trend reflected in fashion education in general.
It would be remiss not to read this exhibition, at least in some way, as a response to the rising anti-Asian hate crimes that have ravaged the United States over the past few years. We do a lot of work to advocate for our communities and to fight against anti-Asian racism,” both Gurung and Lim donated works from their personal archives and ephemera obtained from FIT’s vault. donating. “Asian-American designers are working with academics and activists to raise awareness and create dialogue around the racism Asian Americans face. To make it clear that politics is not a separate system.”
Asian Americans in New York Fashion: Design, Labor, and Innovation rUntil March 27th at the FIT Museum
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