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Old school hip hop fans need help. Over the years, we’ve had countless conversations about our favorite artists appreciating the work they did decades ago, and it’s almost always that the artists still have the fever. Not recognized. “Have you heard Gang Starr’s new album?” was a query I made in 2019 one of the best ever Dropped. I was met with a blank stare, promising to check it out.
Admittedly, algorithms are not always straightforward. Whether he follows his ’80s or ’90s favorites on social media, he’s more likely to see meme posts about Covid vaccines than new music announcements. Of course, there are exceptions that break through the zeitgeist, like Nas and Black Thought. Despite our own best efforts at DX to protect people latestthings slip through the cracks.
To combat this, I started curating my own “Ninety Now” playlist (Inspired by the Smif-N-Wessun tagline to stamp their work as timeless) Track what the vets have been up to. I would like to introduce some of the projects that left a particularly strong impression on me. Visit the stream, buy, and support as much as you can.
Yes, I know some of these artists started in the 80’s, but our SEOs tell us that more people search for 90’s hip-hop than 80’s. That’s it.
Known as one of Mike’s greatest producers, Diamond D is celebrating its 30th anniversary. stunts, blunts, hip hopby releasing his tenth studio album, Rear viewThe Bronx native joins De La Soul Posdnous Westside Gunn and up-and-coming Ashtin Martin for a sonic treatise on what it takes to be successful in the rap business for three decades.
The DITC veteran is still ambidextrous, weaving a gentle yet harsh current into his shell-toe moderato. Title His track features ethereal strings backed by a thick, bouncy bassline as Huge Hefner scribbles on a virtual chalkboard.Yeah, and vanity is the worst, exacerbated by the desecration of my poetry/Both brought my wallet madness/Pay my respects or face calamity in the hearse” Make a note.
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The project, which is both the indictment and basis for this list, came to light after Tame One’s untimely death earlier this year. The long-awaited sequel in 1997 That’s Them Entirely produced by longtime collaborator Buckwild, it’s more than a worthy bookend of an impressive, if not short, discography.
As the title suggests, El Da Sensei and Tame are just as in sync with each other as they were on their 1994 debut. The Jersey duo still raps like a rookie on his mic open, cramming couplets amid Buckwild’s dark and striking percussion until the snare bursts. This energy is maintained throughout his 10 tracks, creating a refreshing and fulfilling experience. Ras Kass and AFRO climbed the switchyard fence to join this bombing session, but Tame and El could have easily held it back on their own. If this is going to be the last offering from the duo (who knows what Buck has on tack from Tame), they left the fans on the best possible note.
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Half of Camp Lo hit a hat-trick in 2022 with three projects. sapphire kitchenand closed it with 19 notes, Both are packed with his cashmere quotes and bright velvet rope instrumentals that make you feel like you’re sliding down hard bottoms while being chased by paparazzi across town.
intermediate project, oral sex afrois a mixtape of quirky spitters in full display of his trademark slang over familiar instruments like KRS-One’s “A Friend” and Snoop’s “Crip Your Enthusiasm.” is. In his efficient 15 minutes, he’s got 10 tracks, a snatch and grab that leaves you wanting more.
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Clifford Smith doesn’t need to wrap. The Raptor has worked out his SAG cards as much as his biceps and has left a trail of die-hard fans clinging to every Instagram post and on-screen appearance of his. may have been a better MC in 22 years than he did in 1993 when he first bled with his brothers.
For the third installment in the Meth Lab series, Johnny Blaze recreates the energy from his recent standout guest appearance (see Conway’s Lemon) and brings it to his gates. On “Act Up,” he unfolds his career evolution with stoic momentum.From entertainment to enterprise Rhyme Kill generations like genocide You were advised That red dot market, target identified / We’re out, game already gentrified I’m/simplistically ready for war like I was Semperphi…”
Eric Salmon, Pascal “P. Version” Zumaqu and Adam McLeer laid down a tapestry of contractor-grade beats for Meth’s blood splatter and made cleanup easy for Mr. Smith’s effortless culling. Even with Hollywood calling, Meth knows how to make a scene in the booth.
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upon Life scienceFounding members of Brand Nubian team up with Dough Networkz to look back on the world after Covid lockdown. Once a cowboy in Wilde, he infuses his experience working on the front lines of a hospital and as a wine expert into reflective precepts that aren’t preachy. Khrysis, Kevin Kaous and GIVEEMSOUL provide Sadat with his bed of soulful and inviting sounds, with Planet Asia, Roc Marciano, Dot Demo and more exchanging verses.
On the smoky “Player Shit,” he bats to a sample of Eddie Kendricks’ “Intimate Friends,” warning debtors, tenants, and anyone else on his knocklist. “Don’t let this music shit mess you up, I’ve seen niggas fertilize the earth fast. Keep believing in that gas.Eat Baked Chicken at a Funeral Dinner..” But God is here not only to build, but also to destroy, praising the “baby” seed. Let’s ask the worried fathers.
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I wish Kool G Rap’s latest title wasn’t accurate. With so many of his rapping peers barely getting the stamp of his AARP membership, it’s hard to ignore that someone of his lineage is still recording at a high level. LOADB It marks the legendary 13th project of the Juice Crew since its debut in 1989. road to wealth.
Armed with the production of frequent collaborator Domingo Padilla, G Rap offers listeners the bulletproof sedan music that has kept him at the top of ‘Best MC’ lists for most of his career. Whether for himself (“Official”) or with his crew (“Bone Hustler”), Donhi Gicancana still paints black velvet portraits with poetic pen his strokes. The final glitz of “Born N Raised,” which revisits the screeching guitars and pounding drums of his classic “Poison,” is reason enough to check it out.
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Hip-hop wouldn’t be what it is today without DJ Premier’s contributions. As such, there are few people better suited to celebrate his 50th anniversary of the artform than Christopher Martin.
In the first installment of his HipHop 50 series, he curates the best all-star line-up to touch the mic and presents a crowd-pleasing exhibit with his signature production. Joey Badass, Rhapsody, and Remy Ma are joined by Nas, Slick Rick, Lil Wayne, and Run the Jewels, with each MC showing off his A-game. Between “Beat Breaks” and Nas’ bullying on his KD3, this is the perfect setup for his long-awaited project with Preemo.
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It took Bun B and Statik Selektah just 11 hours and 37 minutes to pull off their first ambitious project. Trill Statik From Method Man, Grafh and Termanology to Big KRIT and West Side Gunn, UGK’s legendary and veteran producer from Boston recorded them all in a live stream studio session for a full-length album. For the next installment, they kept this same script and invited more MC peers to light up the ad-hoc studio built in Sweet Chick Life’s corporate offices in New York.
Bun sounds right at home over Statik’s horny loops and fat drums, hovering over the intro “Right Back At It,” setting an authoritative tone.We’re good at doing it in real time, so everyone knows we’re still in the grind from breakfast to midnight mealtime.Trillburger Boss could easily have smoked this dime beat himself, but his guest stars (Paul Wall, Styles P, Dave East, Smoke DZA, etc.) have a wide variety of vocal textures and styles. to create a complete auditory experience.
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From the brash, uncompromising MC of his youth who sarcastically rapped about meeting ugly women in clubs, Dres of Black Sheep is eager to share life lessons in projects like Evolved into an introverted and concerned father. from black pool of geniusBut on this EP with producer Stu Bangas, he finds a middle ground where dark, brooding beats give room to revisit more narcissistic thoughts without giving in completely to the dark side. rice field.
Possessing one of the smoothest voices and delivery in the game, Dres still manages to exhale at his best, delivering lustrous bass-laden tracks like the dreamy “Hate.” Gliding along, Dres finds a way to sneak a message. into the mix. But in the nightmarish “Kill in It,” Dres only bares his fangs to remind himself that he’s a kid from Queens at the end of the day. “I’m the only one who sees the beauty of the world/Don’t be so stupid in your life Don’t come to me“Whether sheep stew will nourish you or smother you, the choice is yours.
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What have you missed from 2022? Let us know in the comments!
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