[ad_1]
Yogi B is back! The Malaysian hip-hop star has spent the last few years working on what he calls “a blockbuster.” Get more information on what’s in store for fans ahead of their upcoming highly anticipated performance in Chennai. week. Tamil rap For those who have not actively followed his scenes, you may remember him singing. engeum epotum in Dhanush Poladavan Also Survivor From Ajit bibe gumOf course, most of us remember him best. Madai Tirantu music video from the album Valavan, sung with Nachatra (Dr. Byrne and host Jess) in 2006. The song took a classic Ilaiyaraja number and fused it with rap lyrics…and lots of swag! In an entertaining interview, Tamil, his hip-hop godfather, goes back to 1993, when he stepped into his label’s office in his school uniform, talks about mentoring new talent, and about the lyrics he’s written. gave me Journey so far.
Co-starring with Nachatra for the first time in 15 years. How did this come about?
After releasing their album in 2006, they played numerous shows in most Tamil diasporas. We spent time trying different projects. But over the years, his OG Yogi B Natchatra fans, who are fans of the album, have remained unwavering in their support. In particular, Yogi B Nachatra has seen an increase in requests for his concerts as the world opens up after the pandemic. Lockdown may have been a time for people to remember and revisit our albums. If anything, the pandemic has taught us to appreciate and embrace the opportunities we get. So if people want to see Yogi B and Nachatra back together on stage, we’re happy to do so. Dr Burn and presenter Jesz attended.
I hear you are working on new music. tell us more
my album mantra hoodIt’s my masterpiece (if I can humbly say so). Tamil hip hop is everything I’ve dreamed of what his album should sound like. Getting the right mix of Tamil sounds and hip-hop is a harder and more time consuming process than it sounds. I hope to release it by the end of this year. I made everyone wait too long, so it has to come out.
You’ve worked with some of the biggest music directors in Kollywood. Is anything brewing in the studio during this visit?
It’s not like we speak.But hey, I’m always ready when someone calls (smile).
Music aside, it’s been a while since you were in Chennai. What are your plans behind the scenes?
The last time I was here was just two weeks before lockdowns were imposed in 2020. For these three years she has missed Chennai and she wants to make the most of it. We plan to revisit our favorite restaurants and hangouts. spot. I also love my friends in the music community here and the hip hop scene is full of new and talented artists. I hope I have time to catch up with them all…
How have you been spending the last few years while the world is shutting down?
The pandemic has been tough on artists. I spent most of my time in the studio working on the album.
You’ve mentored young rappers through talent hunting wrap pork columnWhat was that trip like for you?
wrap pork column It was a great project. I am very honored to be able to participate as a judge. I wasn’t expecting the kind of talent featured in the show. We are very proud of Malaysia’s talent pool. We never stopped learning and both boys and girls were very open to receiving feedback and improving their skills. Along the way, I also learn a lot about young people’s musical tastes.
and sensibility.
Let’s go back to the beginning. Remember where this hip-hop journey began?
I first heard hip-hop when I was a schoolboy when my senior played good old Run-DMC on his boombox during a camping trip. I was instantly drawn to the music, the intense beats and the songs that felt more like a mantra recital than a traditional melody. I pursued it and begged her mother for extra money so I could buy a new hip hop CD. I remember wanting to reproduce the sound. Maybe that’s why I’ve always had an affinity for beatboxing. I practiced trying to imitate some of the raps, flows and sounds that fascinated me. I don’t know exactly what I thought I was good at, but one day after school I decided to try my luck and walked into a record label in Kuala Lumpur. They could have easily turned down the boys in uniform, but some good souls decided to give me a chance.My first gig was at a street hip-hop competition in 1992. I won, and then some good people at this record label allowed me to write lyrics for one of their artists. Hip-hop is culturally interesting. It is an art form produced by the masses, for the masses. It’s a form of storytelling, a way of expressing one’s livelihood. That, coupled with rhythm and beats, is what people can connect with. It still fascinates me as much as his 1993 when I first started.
What advice would you give to a young kid who wants to be a rapper one day? And what’s a good response to “get a real job” from well-intentioned parents…
I may sound like a baby boomer uncle, but the simplest yet most obvious thing I can say is to learn technology. Rap may seem like a frivolous art form at first glance, but a layperson might think, “It just sounds like they’re talking.” But like all other musical styles, it has many facets, including musicality, breath control, pronunciation, lyrical power, and production. Most great artists are good for this reason. Their knowledge and control of the skills required to excel in their particular art form is unmatched. If rap is bread and butter, then music has a business side to it, too, and it has to be learned. You can’t just focus on wanting to create the next hit. Read about publishing and copyright. Read your contract! Find a lawyer friend who can protect your intellectual property and educate you about copyright law. Now, with the paths to monetization vast and many, a sustainable career in music is more plausible than ever.
What if you could write me a lyric that summarizes my journey so far?
This may be the most cliche, but sometimes even I myself don’t know how I’ve done it over the years. Yevanakumme teriyathu, unnakku sonna puriyathu!
After 6:30pm. January 26th. At Phoenix MarketCity.
[ad_2]
Source link
