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hip hop nutcracker “Tchaikovsky flips his head in the coolest way possible.”
The Russian classical composer’s reimagining of a 130-year-old ballet set in modern New York City has lived up to its promotional promises over the past decade. Now a holiday tradition in its own right, this dance, his Extravaganza, is currently in the middle of a 30-city tour. And despite having a heart transplant in December 2020, every beat features Curtis Blow, the show’s special guest MC and one of rap’s founding fathers.
“I’ve always been a fan and advocate of the fusion of hip-hop and other genres of music,” Blow said, recalling the first time he saw the show rehearse in 2013. From popping and rocking to electric he boogaloo, with their work representing every style. Kicks, headspins, backspins, windmills, air twists – hip hop to Tchaikovsky’s great classical music beneath his beats. I said, ‘Oh my god, I have to be on this.’
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A trailblazing artist known for his rap-meets-go-go classics like “Christmas Rappin’,” “The Breaks,” and “Party Time,” Blow first signed to a major label (Mercury Records) in 2015. was a rapper. 1979, among other accolades. Last summer, Blow and his fellow hip-hop legends Chuck D and KRS-One launched the Hip Hop Alliance, the first-ever union for hip-hop and R&B artists and the workforce that supports them. was established.
hip hop nutcracker celebrates its 10th season on New Year’s Eve in Hartford, Connecticut.The rest of the tour will be dedicated to freestyle his hip hop dancer/choreographer and late Stephen ‘tWitch’ Boss The Ellen DeGeneres Show Co-host/co-executing producer. “I want to thank you for the loss of one member of the Nutcracker family,” Blow said of The Boss, who was part of the Disney version of the show and is currently streaming on Disney+.
In a phone interview during the tour’s stay in New Jersey, Blow reflected on why. hip hop nutcracker It still resonates with his post-heart transplant life and hip-hop’s monumental 50th anniversary in 2023.
For those who haven’t seen the show, what is your role?
The show kicks off on New Year’s Eve 1980, so prepare for what they’re about to see by first bringing them back with a medley of old-school hip-hop songs. At the end of the intro, sing the song “New Year’s Eve” and count down from 10 to 1 in the middle. When it becomes one, it yells Happy New Year. Then the show starts. Finally we come back and do “The Breaks” with the whole cast. These talented dancers from all over the world give 150% every night. Audiences come to rejuvenate by coming to a show themed that love conquers all. We see generations from grandparents to grandchildren to daughters to sons. It’s the same with hip hop. All races, all ages.
What is life like after the transplant?
I am the walking, living, breathing testimony that God is still working miracles. What God has done for me, He can do for you and everyone else. I am also a preacher, so this is a big part of my faith. The morning after surgery, I see doctors and nurses and get thumbs up… I still feel the joy I wake up to every morning.Thank God I’m still alive—and [I’m] I am so grateful to be a part of this opportunity to spread love during the holiday season.
This was first realized in the late 70’s “Christmas Rappin”.
I believe it was 1978. billboard A young college student myself was included in the final section of the interview about this new thing called rap. There were other more popular MCs during that time, such as DJ Hollywood, Eddie Cheeva, Kool Herc, Afrika Bambaataa, and I will never forget that. But that article was the foundation of my faith, and I think it was indirectly part of me to get a record deal with Mercury. Robert Ford Jr. wrote that article. After that, he and JB Moore signboard, Produced the first gold single “Christmas Rappin'”.i owe billboard And just want to say thank you!
What does the genre’s 50th anniversary mean to you?
I started breakdancing in 1972, became a DJ in ’73, and started rapping in ’74. I have seen this culture rise from the ashes of the ghettos of the Bronx, Harlem, Queens and Brooklyn. It was out of that cultural trauma that hip hop was created. It was escapism in music. After 50 years, it’s still going strong and is the most streamed genre in the world. People all over the world tune in to hear about hip-hop. We definitely changed the world. And we have the opportunity to do it again. My message to all young people out there is: The future belongs to you. We have the opportunity to build families, build communities, and build humanity.
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