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During Divine’s sold-out performance of the 2021 Punya Paap tour in Mumbai, a man exclaimed in my face, “I feel so inspired.” “This guy is a fucking king. He changed the face of the Indian music industry.” One of his names that everyone in Mumbai knows is Vivian Wilson Fernandez, aka Sacred, A rapper who spent most of his childhood dealing with the trauma of living in one of Mumbai’s poorest neighborhoods, he is now one of the “best” rappers in the country.
When Bollywood actor Ranveer Singh and director Zoya Akhtar released their 2019 movie gully boy — This is heavily influenced by God and the rapper’s life nezy — the whole country felt inspired. The film follows the story of a growing up rapper from the slums of Dharavi who found his love for hip-hop and used his “gully rap” to highlight the inequalities of life.
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Since its release, Mumbai’s hip-hop scene has become more recognizable. People started to appreciate these ‘gully rappers’ and one of India’s most famous multi-genre music producers, Kalan Kanchan, has a track of ‘Divine and Neji’.just a gully main’ It inspired him to fall in love with the industry. “This was the first time I heard anything meaningful,” he says. “Instead of the usual poems about flashy cars and women, I was hearing something very intelligent and relatable.” It was revolutionary. Something Mumbai didn’t know it needed, and it turned out to be one of the greatest discoveries for the city’s culture.
“Mumbai’s rap scene, like the city itself, is a melting pot of cultures, styles and global influences,” said Aniket Rajgarhia Senior Rights Manager. industry.[In this city], artists with varying degrees of exposure from different backgrounds create multiple perspectives on the world they live in. Here, hip-hop represents a tumultuous culture within the city that has been called “a grand display of the desire to rise from adversity,” and a way to make something of yourself in a short period of time. A world without mercy. Moreover, Mumbai’s hip-hop industry is represented not only by Hindi, English and Marathi, but also by the languages on display such as Tamil, Malayalam and Gujarati.
like God, 100RBH,alias Up-and-coming bilingual rapper Saurab Abyankar from Amravati aims to evoke double standards in society and shine a light on the hypocrisy that Indians see every day. “Laakhon maasumon ki awaaz mein akela bolta / I speak on behalf of his 100,000 innocent souls,” he said 100RBH “Zanjeer,, and aims to be a catalyst for pushing boundaries.Similarly, in Dharavi MC Altafbirth Altaf Shaikh also took the streets by rapping about social causes and his life in the hood. Altaf, in fact, was the man who taught Singh the local “Bambaiyah” accent (Mumbai he Hindi) during filming. gully boy.
“Hip-hop as a genre is rooted in activism and politics. gully gang entertainmentFrom “All over the world, it has become a medium for artists to make social commentary.” Tupac To Cardi B, you can find lyrics that talk about the issues around them—sometimes directly, sometimes implicitly. Similarly, in India, artists such as 100RBH, Swadesi, MC Altaf and Divine have effectively created socially recognizable music. “He thinks music is one of the most accessible media to get a message out to people,” he says Verma. Honestly, I don’t think there’s a country where he raps as consciously as the Indians.
Mumbai-based rapper agrees with Velma’s claims Adi “Hip-hop started with activism in its truest form. Discuss his 2020 tracks.”police car” was released at a time when the media was constantly reporting on American protests against police brutality, but Indians were reporting similar, actually “very serious” police brutality and corruption. Little did the world know that we were facing the problem of At that point, 24-year-old Adi decided to collaborate with a Kashmiri rapper. armor And Adi curated a bilingual track that rapped about police brutality in the United States, and Ahmer rapped about police brutality in India. “The song came out as a global approach and it worked really well. [police brutality], as it is an inherent problem on most systems. ”
It has been established that Mumbai hip hop is about expression. The local rapper creates hype his tracks with verses about women, alcohol and cars, but that’s only 40% of his total. The rest of us rappers say, “We represent and advocate for local groups and interests. [in addition to creating] It’s music to spread awareness about wider social issues,” says Rajgaria, recalling a visit to a block party in Dharavi — one of the largest slums in the world — in Mumbai.
“I visited a block party in Dharavi just before the pandemic hit,” said an expert. “There were multiple groups of kids over the age of four, rapping and dancing to reggae, dub and breakbeats, so it was pretty surreal.” was a place Swadeshi, the only ‘sociopolitical group’ in Indian hip-hop that continuously aims to bring about change through art and music. So, assuming that such artists are the artists these kids are growing up listening to, it is clear to predict the present and future of Mumbai’s hip hop scene.
India has experienced terrible problems — Inside and outside – all affected 1.41 billion Man. In recent years, with the release of certain films such as gully boygrowing social media presence and imminent cultural awakening, the hip-hop industry — Especially Mumbai — Somehow it has provided a safe haven for all.
Mumbai’s underground hip-hop scene
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