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Artists spray graffiti on walls in honor of hip hop artists and art forms. Image Credit: Gary Knight. Attribution 2.0 General (CC BY 2.0)
Earlier this year, two American hip-hop artists, Chance the Rapper and Vic Mensahold of inauguration ceremony edition of black star line festival in Accra, the capital of Ghana.
1919, Jamaican political activist Marcus Garvey Established Black Star Line shipping and passenger company.designed as vehicle to advertise B.Lacking economic empowerment and the return of people of African descent to the Caribbean and America, he said,back to africa” Larry Cole is inspiring people again another reappearance Pan-African Cultural Movement. This time, Pan-African intellectual Also politicianbut by hip-hop artists from Africa and the Diaspora.
The week-long festival featured events, panels and free concerts. January 6th, 52,000 fans historic black star square, an iconic location used for the annual Ghanaian Independence Day parade. The line-up included Chance himself, Talib Kweli, Erykah Badu, T-Pain, Jeremih, Sarkodi, Tobenuwigwe, Asakar Boys, M.anifest, and Chicago-born hip-hop artist Vic His Mensa. Also in attendance was American stand-up his comedian and actor Dave Chappelle.
The festival not only honored Garvey by naming it after his shipping company. By sowing the seeds, it was to realize his legacy of uniting the peoples of Africa.
talk Newsweek Born in Chicago to a Ghanaian father and a white American mother, Mensa said Africa was a major player on why the free festival was trying to unite artists across the diaspora and promote the region and its talent. He talked about things that are often ignored by artists. They tour major cities and stage live shows.
One of the main reasons for neglect is the internalized complex of superiority that makes Africa ‘other’, even if those artists themselves have African roots.
African His influence on contemporary music is immeasurable.Adopted by major artists around the world African influences in their music (recently in Afrobeat), using dance moves like fashion, style, etc. to give them guaragwala south africa for their concerts and music videos.some have be severely attacked As Mensa pointed out to Newsweek, their exploitative nature was the same as what the colonial rulers had done to Africa, “plundering its natural resources and cultural riches.”
Mensa and Chance hope the festival can stop that. It was the first step in promoting cultural exchanges between artists. They hope that this will not only be for hip-hop artists performing concerts in Ghana, but many other artists will add Africa to their touring roster and work with corresponding artists to have a snowball effect. increase.
Contemporary hip-hop embodies a new and dynamic Pan-Africanism
ever since emerging In the 1970s, hip-hop emerged from the streets of the Bronx, New York. A powerful force that has partially shaped black identities around the world.the culture is remain rooted in African musical and social traditions over the years. Even what has recently become America— A highly commercialized commercial venture — another artist, especially On the African continent, we have learned to use this powerful art form to speak truth to power.
In her article, “Contemporary hip-hop embodies dynamic Pan-Africanism,” Msia Kibona Clark, Associate Professor, Howard University, “African Hip-Hop: Urban Prophets and Dustyfoot Philosophers” “IIn its manifestation, the musical genre has proven to be a powerful vehicle for spreading and shaping Pan-Africanism. “
She also said that as hip-hop’s pan-African voice grew, so did its aspirations for what most of the founding fathers of African nations, such as Nkrumah, Jomo Kenyatta and Julius Nyerere, had: a socialist African United States. said that Instead, this new pan-African movement is a “transnationalization of African communities and identities” rooted in cooperation. Hip-hop has been a key catalyst in this new Pan-Africanism.
Clarke concludes that understanding what is happening in this new Pan-Africanism requires attention to cues in hip-hop as well as African music.
for Mensa starring In an African-American series about the rise of the hip-hop scene in South Africa’s post-apartheid renaissance, he told Newsweek that he hopes they can have festivals across Africa.
This will undoubtedly be the catalyst for other important collaborations between hip-hop artists across Africa and the Diaspora.
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