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Seattle’s Museum of Pop Culture (MoPop) is currently presenting “Contact High,” an exhibition that uses photographs and contact sheets to detail a comprehensive history of contemporary hip-hop music and its culture.
“Contact High is a great exhibit that starts at the dawn of hip-hop culture,” said Amalia Kozloff, Museum Curator at MoPop. “Photos of people making things happen.”
One of the main themes throughout the exhibition is the relationship between the photographer and the subject of his images. they were friends. They offer an up-close and intimate perspective on who was, where they were, and what they were doing in the early days of hip-hop.
“Hip-hop is the most popular music genre in the world,” said Kozlov. “It has affected how we socialize, what we listen to, how we consume culture, and what we wear. I have.”
The exhibit includes an inside look at the people behind hip-hop through images that were less public in the press and public eye. Instead, it contains the entire contact sheet of images showing the outtakes. Part of the exhibit displayed his cover of Outkast’s famous album Stankonia, released in 2000. This sheet conveys more personality and invites the viewer into who the artist and his duo were.
“Hip-hop has affected me in so many ways,” said Los Angeles-based actor and filmmaker Bobby Ennis. It gives us the opportunity to recognize that we are part of that audience and that we are in a society where the choices we make about what we consume are very powerful.”
The exhibition explores the past 40 years of hip-hop, with contributions from Notorious BIG, Tupac, Wu-Tang Clan and countless others. Items other than photos such as Biggie’s suit and MF DOOM mask. The exhibit is designed to allow visitors to explore, experience and connect with their own stories.
“Hip-hop has a lot of perspectives that you wouldn’t get otherwise,” said Ennis. “My first introduction to it [hip hop] I was prejudiced. The assumption of being vulgar for the sake of being vulgar. But instead, we tell stories and experiences to artists. ”
The hip-hop realm has four unique elements: DJing, breaking, graffiti, and hostess (rap). The term hip-hop, as the more marketable name for the original four aspects of him, didn’t become popular until the ’80s, which allowed people to see, how they consumed, and the movement’s overall trajectory. has changed.
“Hip-hop is American culture. It’s technically ‘pop culture,’ so it’s almost impossible to deviate from its influence,” says DJ and B-Boy Lars Sverre or “Soulrane.” Told. “The museum has a lot of hip-hop artifacts on display. There were the original shell-toe Adidas and Lee denim suits that Run DMC wore to fame. It is very important in proving that it has left its mark on the history of
“Hip-hop was born out of old-fashioned American oppression,” said Soul Rain. He said it was important to acknowledge the movement’s entire history, otherwise progress would not occur.
Hip-hop is new compared to other cultures, but like many things, it has roots that predate the name hip-hop.
“There is no generation of hip-hop that is better or worse than the others,” said Soulrane. “It’s simply different times and eras that produce unique results. Hip-hop is only 50 years old. Childish compared to other cultures. Imagine 100 years from now!”
We plan to exhibit “Contact High” at MoPop until January 2023.
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