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best hip hop award
By Phillip Mlynar Jul 6, 2022
June’s spotlight on the 10 most important new hip-hop releases to hit Bandcamp includes projects inspired by the 1927 expressionist film big city, an ode to Los Angeles by a respected turntablist, and an unearthed ’90s demo tape. We also check in with a few naturalistic rappers from Chicago.
back 65
king of drums
on the opening track king of drums, back 65 Calling himself “Mozart with a beat machine and a flow chart”, it evokes the spirit of the late KMD member Sabrock. Leading from this introductory moment, the rest of the project is filled with similar references to his tracks and characters in golden age hip-hop. The Buck 65 conveys an uplifting dedication to our cultural heritage. Just like the album’s title bears out, the project has a stripped-down structure, with the rapper’s trickier ways over a collection of beats built from raw breaks adorned with familiar funk-inspired loops. It shines the spotlight on what’s going on in “I’m living off the grid, smashing beats and churning butter,” Buck insists in “Part 4.” This is a nod to Jimmy Castor Bunch, Company Flow and Ultra Magnetic MCs while the rapper bellows his mantra: “Yes, this shit is my religion!”
Deca
smoking gun
smoking gun It’s a compelling gateway to the New York rapper-producer’s ton of releases. DecaThemed on the idea of questioning the acceptance of American exceptionalism at face value and delving into the shards of the country’s crumbling social system, Deca’s secular insights are dusty jazz-flecked. Underpinned by a series of self-produced backgrounds. “Long before global python domination / I saw letters written on walls like ancient codes / Manufactured worldviews superseding the old / And the supple minds of a new generation To find that there exists a space that shapes and shapes/try-in-time, beyond the control of the same old tools and tricks/try-in states,” MC said of the early track “St. America.” A dreamer in a harmonious dream/But what are the sticks and stones to the war machine?” adds vocal support to Deca’s sociopolitical soul-searching, blue In the mid-album “Shelter,” the two rappers take turns pondering the concepts of spirituality, religion, and death through subtle, elegiac compositions.
clarity
told bessie
clarity‘s third studio album follows an equally important album by his Armand Hammer bandmate Billy Woods. Ethiops A project that fell in April. Titled as a tender tribute to ELUCID’s late grandmother, the MC explores themes of healing and nurturing with nuanced aproms and bittersweet phrasing on tracks produced by collaborators including: Alchemist, Kenny SegalWhen Augusto Fanon“Part Thru Apart / Wet Earth and Palo Perfume the Heart” opens the rapper with a rocking introduction, “Spelling” that rocks the soul. child actor“Follow my arc, you should stop it where you started / I’m a dancer in the dark, running a tangent off the mark / You seek understanding Then you should pack this where you are.” told bessie Evoking an often nostalgic aura, swirling autobiographical snippets of ELUCID’s poetry take him back to formative moments spent in the Brooklyn neighborhoods of Crown Heights and Red Hook. On the penultimate track, “Betamax,” he implores ELUCID, “Sometimes the reason never mattered/Sometimes the reason never mattered,” reinforcing a sense of vibrating spirituality throughout the album that he It gives the impression that you are offering the words to some form of higher power.
Galactic Rogue VS. Spectacular Diagnosis
Conqueror/Perex
Pitched as a conceptual beat tape battle, Conqueror/Perex Watch a Moonbop movie in Chicago spectacular diagnosis Confrontation with a Russian Producer Galactic Roguepsychedelic soundscapes. “Enter The Conquerer” is Galaktic Rogue’s opening 10-track kickstarter, often with an addictive murky bass tone and pilot tapes for his sci-fi TV show in the ’70s after it broke up. backed by a series of quirky synths repurposed from a batch of his. After Galaktic Rogue closed the account with the craggy, distorted drums of the craggy “Fire On The Planet,” his contemporary production cue “The Perimeter.” It’s on the radar monitor. Smartly keeping that pace by limiting most of the project’s tracks to his little over a minute, he makes the release akin to a planet-hopping experience between two different but interconnected sonic worlds. Useful for casting well as things.
J.Rock
great letter
great letter is a dedicated tribute to the city of Los Angeles, conceived by the turntablist and founding member of the Beat Junkies. J.RockReleased via Mighty stones throw The project is fueled by “Welcome Everyone,” a scene-setting statement that showcases the DJ’s formula of surly drums and statically wrapped loops embellished with deft cut-and-paste vocal grabs. Focusing on the album’s instrumental patches, “One” is all eerie funk, with ominous winds whistling through the track’s textures. “Dancing with the Best” incorporates angular jazz piano chops into the blend, while the final cut, “The End (NPT),” conveys a languid sunset jazz-fusion feel.vocal support great letter Thanks to a hometown roster that peaks at Koreatown Odditi ‘The Changing World’ Brings Introspective Commentary to West Coast Electro Icon egyptian lover Adds a sense of local heritage to a moderately bright ‘Slumber Party’.
KutMasta Kurt presents Noggin Nodders
Noggin Nodders demo tape 1993 – 94
Unearthed in the corner of Rapp’s dusty vault of antiques, Noggin Nodders demo tape 1993 – 94 Bay Area rapper Motionman’s precise flow presented over producer’s slab Kutmaster Kurtof Smoggy Funk Gumbo. “It starts when a little needle touches a groove in the vinyl/It ends when labels keep signing wacky crews,” Motionman says of a cacophony of brass twisting around the eponymous title track’s chag drums. Beyond songs focused on Motion Man’s taste for devouring inferior rappers, the bass-heavy “Fantasy Isle” treads into freaky love-rap territory, “Patternologist ‘ backs up the release’s brief liner notes, teasing the project as a foretaste of something to come. Cool KeithThe 1996 cult classic Dr. Octagon Ecologist album (which also included Kurt’s work along with Dan the Autometer). Proudly remaining rooted in his ’90s, his cover art for the release includes a (presumably long-defunct) SkyPager number for administrative contact.
Lung/LoneSword Phiik, Cise Greeny
Where’s the Bug!? (Full Tape)
The march of the Tase Grip Collective lung, FeekWhen Chise GrignyLungs himself, who leads production operations under the alias of LoneSword, presents a series of satisfyingly distorted beats that evoke eerie sci-fi vibes. “QUEENSBOUND N-TRAIN CONNECTIONS” is underpinned by a bed of ominous murmurs of sonic fuzz. and “Monster Spider VS. ‘Fuck-Face Beetle'” combines a lopsided piano riff with protruding drum pockets (with production assistance from his TENTEN in New Jersey). The core of MC’s intricately constructed bar work is his trio’s primary support, hook arthur Bless the opener “Planet Of The Dinosaur”, silence An avant-garde waltz from “Menace & Exhaustion.”
Mother Nature and Renzel
natural world
in 2021 SZNZMoreChicago duo Cleva Knox and the Truth Teamed up with beatmaker Boathouse to create an electro-influenced release. band camp dailys best hip hop of the year list. for natural worldthe rapper keeps faith with the same classic setup, this time teaming up with fellow Chicago rappers Renzel In a release that conveys a rolling charm, full of layers of soothing melodies. “I see a vision, then I get to work/It’s been a year in hell/I’ve been to heaven and back/I’m not very competitive there/I think it’s all a distraction/ I think there’s art in this rap shit,” relay Klevah said in the opener “Don’t Worry,” before confessing to TRUTH: Themes of personal rebirth and an infusion of naturalistic imagery are woven throughout the fabric of the sleek release, culminating in the viscous funk of “Sequoia Treez,” hosting an overarching call to rally. To do. ”
Namir Blade
big city
The Nashville rapper and producer’s latest release features an illustrated cover art depicting a moody, purple-hued cyberpunk cityscape. Namir Blade Inspired by Fritz Lang’s 1927 expressionist sci-fi flick big cityComments about the consequences of rampant technological advancement are sprinkled throughout the album, showing Blade offering his observations in conversational brogues filled with natural melodies. Allusions to escapism emerge towards the end of the project, with bobbing heavenly synths refraining from “Guts vs Griffith,” teasing Blade’s breakup wails. It never bothered me / Salt tastes no bitterness on my tongue, it was wrapped in silver when I cried out to you / The flowers I had withered, the sand beneath continued to move.
TF x Local Astronaut
Dough Networkz presents Skanless Summer: 80’z Baby’z (Deluxe Edition)
“First of all, don’t judge me by how I came up with it/I took the canvas and threw the paint on it/And made it a masterpiece/Before that I told Master P I was slipping in and pushing ghetto dope,” says TF. local astronaut production unit. Openly incorporating 90s West Coast gangsta his rap influences, this collection is presented as an endorsement of director John Singleton’s key film tenets.Completed with a reference to Flick’s character boys and the hood), “Home” drafts singer Lovey Jean’s soul vocals to help craft a mournful wailing. I was.
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