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American
soviet division
season 5
episode 13
Editor’s rating
Keri Russell as Elizabeth Jennings.
Photo: Patrick Harberon/FX
And we’ve reached the end of a particularly difficult season AmericanThe lab technician, Pasha and his family, the Russian women from “Dyatkovo”, Paige and Henry, and Martha back in Russia, all sacrificed for a greater cause. What Philip and Elizabeth can’t be entirely sure of is as true as they once believed. Yet, Philip and Elizabeth’s marriage is stronger than ever. In the end, they were properly married, and Elizabeth’s resentment over her husband’s disturbed emotional state, which peaked at Martha and his EST meeting, eased into her sympathy and shared moral burden.
After last week’s episode focused on being a parent and the inevitable choices parents make for their children, the season ends with a poignant hour about marriage, which is an adventure of its own. It seems appropriate. The most important scene in “Soviet Division” is when Philip and Elizabeth end their relationship with Tuan after Pasha attempts suicide. Pasha’s mother finally persuades him to take him back to Russia.The last seems to justify the means, and whether successful or not, supports Tuan’s belief that the attempted suicide achieves the desired goal of getting Pasha’s mother to the right place. for American Fashion, but Gambit is a lot trickier than planned: Pasha exercised no restraint in cutting one wrist while losing an artery. It wasn’t a cry for help. It was a fair bid to end his life.
However, when they return home, Tuan confesses harsh reports about Philip and Elizabeth, in addition to revealing his senseless efforts to reach loved ones by out-of-state phone. Jennings didn’t commit to the cover as fully as he would have liked, jeopardizing the entire mission for “certain petty-bourgeois goals” (namely, preventing teenagers from committing suicide). . We’re preparing one of her patented beatdowns when Elizabeth takes him aside to talk about his report, but she takes a very different approach. She accepts his criticism of their failure to cover up, noting that they were carrying out multiple missions at once. We haven’t even touched on digging into the ‘bourgeois goals’. Instead, she punched him with a blunt warning about his future endeavours: “You’re not going to get it done.” You will fail, something will happen, you will be caught, or you will die, the day will come when everything will fall apart.”
What is striking about this scene is that Elizabeth does not utter these words out of malice. She sees herself in Tuan. She was also a fine soldier, and when she was his age, she may have attacked her elders for compromising their duties over other concerns. Appearing to advise herself, the horrific psychological stress she has had to shoulder over the years when missions go awry or ‘snap decisions’ turn out to be regrettable. She understands the weight. More so than in years past, she believes that having a partner who shares your burdens and doubts and has your back in sticky situations is essential in the long run. Tuan may be a boneheaded ideologist today, but like Elizabeth, circumstances have broken his resolve and he has no one to pick up the pieces.
When Philip and Elizabeth later meet with Claudia to discuss the Morozov family, the ramifications of dismantling their family are of primary concern. We are sending her back to ,” says Philippe. “Should this family be torn apart too?” Philip’s distress over answers surfaces when Philip angrily breaks his promise to send Henry to boarding school. He doesn’t let his son down easily or regret breaking his promises. They are family and families stay together. End of story. One gets the sense that Philip would have said the same thing in the same tone, even if they hadn’t planned to raise the stakes and return to Russia. He was not there.
However, this is all a prelude to a great scene that ends the season and further confirms the strength of Philip and Elizabeth’s marriage. Now you can access newly appointed officials in the “Soviet sector”. Philip nearly throws the recording into the lake, but his loyalty to his wife leads him to hold his hand and bring her to her decision. Elizabeth is always looking for ways to fulfill her mission in America, and this is another lifeline for her, justifying the importance of their sacrifices. But what she says next is surprising. She suggests that Philip can stop spying outside of getting recordings from Kimmy. He can retreat into the drudgery of the travel agency business while she goes it alone. “I’m letting you stay, but it keeps getting worse for you,” she says.
American Even if Philip and his superiors accept it, it seems unlikely that he will play a passive role in the final season. , allowing him to abandon his active partnership in exchange for accepting her need to go through the mission. That’s what marriage is.
• So Lenny. Her excuse for moving in with Stan is dubious enough, but the scene where she encourages him not to quit the department really rings a bell, especially in light of his current duties. One might expect Stan not to notice, but Noah Emmerich gives a subtle look that suggests Stan may have picked up on something as well. told Henry that working for the FBI was a terrible job. He may still avoid this honey trap.
• At this harsh end of a tough season, we get at least one sunshine. Martha may have friends. When her teacher reveals that Gabriel worked with the orphanage to arrange for the adoption of a pig-tailed girl he saw at her playground, the camera held her face a few extra times. , her eyes fill with tears.Maybe Gabriel was right and her handler was conduct After all, care about her happiness.
• Playing “Goodbye Yellow Brick Road” in its entirety is a bold attempt, but the show does it. The song’s lyrics are weird — it’s one of those numbers where you sing the chorus and mumble the rest — but the feeling of turning the page and moving on is a fitting end to the show’s penultimate season. It’s also worth noting that during the montage, Paige walks alone through the area where she and her mother were attacked. She is someone else. No more curling up in her closet.
• As for the big musical cues, REM’s “So. Central Rain” plays during the scene where Philip has to break off his relationship with Kimmy. Unlike Elton John’s montage, the song is far down in the mix, but the chorus (“I’m sorry, I’m sorry, I’m sorry”) comes at the right time and at the right volume. As rough as it could have been.
• Elizabeth snaps Paige’s mouth and she sparrs it. She is ready for Phase II.
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