[ad_1]
BabyTron is a 22-year-old rapper from suburban Detroit who has quickly risen to prominence in the online underground hip-hop world. This is mostly due to the lyrics, which are equal parts trolls, provocations and punchlines. It’s a postmodern grabbag of references to basketball, professional wrestling, childhood nostalgia, and the kinds of illicit gains made by stealing a credit card number from the dark web.
Anathema to older heads, BabyTron also subtly strays off-beat and off-beat in its stream-of-consciousness transmission. The rapper who doesn’t care “#FREEUNKY” (he too his local love — “I’m not banned from DC. They love me at the DMV” — to great fanfare).
In contrast to his laid-back lyricism, BabyTron and his collaborators churn out subwoofer crackling, hi-hat tippa taps, freestyle, electro, and throbbing beats that rely on Miami-based Casio synthesizers. I like・The backing sound of the early days of rap.
Even if its sonic blueprint was written decades before BabyTron and his audience, many of them have the obvious X of underage patrons. It’s flat and all is fair game. Whether it’s a nod to Harry Potter or an anti-he fashion, because he made the crowd look like an extra for the once-in-a-lifetime institution Total Request Live.
Backed by a few hangers and joined by tour mates on the mic, BabyTron complemented pre-recorded tracks, enthralling trash-compacted crowds and occasionally rushing into mosh pits in between puffing up smoke. . The constant parade of constant mixtape cuts had an energy unlike any other hip-hop music, but after an hour the repetition was numbing.
Just in time, BabyTron queued up “Emperor of the Universe.” Here’s a five minute cut of him jamming 21 verses into his 21 beats borrowed from Biggie, Dre, Chief Keef, Future and more. Sure this is a gimmick of Rap-his game, but as its title suggests, it hints at what BabyTron could really do if he left his comfort zone.
[ad_2]
Source link
